The back design holds the weight of the story. A polluted river, inspired by the condition of rivers like the Yamuna and Ganga, flows in distorted stillness. Its surface filled with foam instead of waves, carrying plastic waste, broken bottles, and remnants of human neglect. Floating within it is a submerged Ganesh idol, symbolising the contradiction between devotion and environmental consequence. Rising from this decay are blooming lotuses, referencing the idea that even in the worst conditions, something pure can emerge a quiet but powerful contrast to the chaos surrounding it.

Above this sits a lone tree, a recurring symbol rooted in the Seedhe Maut universe, now recontextualized into something darker. From its branches hang the weight of agrarian reality a stark depiction of farmer suicides, representing those pushed to the edge within a broken system. The environment feels abandoned, and in response, birds are seen flying away, escaping the toxicity below. This movement is not random, it is a statement. When systems collapse, life looks for exit

The front design simplifies this idea into its purest form birds in motion, leaving. No noise, no clutter, just direction. It mirrors the same metaphor from the back: the instinct to escape, to rise above, to not stay where survival itself is under threat.